論文名 | 研討會名 | 研討會地點 | 年份 | 作者 | 語言 |
“Coevalness and Contingency in Taiwanese Temple Festival Performance Culture” | Association for Asian Performance (AAP) conference | 線上會議 | 2021 | Sue-Han Ueng | 英文 |
「台灣廟會民俗藝陣陽剛精神的衍繹」Disseminating Masculinity in the Taiwanese Folk Temple Performances) | 陽明交大「視界、跨界、境界」學術會議研討會(線上會議) | 新竹市(線上會議) | 2021 | Sue-Han Ueng (翁素涵) | 英文 |
搬演遊民狀態: 恩古吉《黑隱士》悲劇中的去殖民化論述 | 2016年第24屆英美文學學術研討會 | 臺灣: 新竹 | 2016 | Sue-Han Ueng (翁素涵) | 中文 |
Paradox in the Consumption of the Taiwanese Folk Temple Performances | 16th Annual Association for Asian Performance Conference | Chicago, IL, USA | 2016 | Sue-Han Ueng (翁素涵) | 英文 |
Imagining Collective Memories in Taiwanese Folk Processional Performances | The 9th International Conference of Crossroads in Cultural Studies | Paris, France | 2012 | Sue-Han Ueng (翁素涵) | 英文 |
Drama Performance for Enhancing College-level L2 English Learning | The Eighteenth International Symposium and Book Fair on English Teaching | 台灣, 台北市 | 2009 | Sue-Han Ueng (翁素涵) | 英文 |
Contextualizing Folk Performance Aesthetics in Taiwan: Riotous Harmony and Tantalizing Contest | International Convention of Asian Scholars 6 | South Korea, Daejeon (南韓大田市) | 2009 | Sue-Han Ueng (翁素涵) | 英文 |
Gene Science, Power, and Cloned Identities: Ni Kuang's "Substitutes," Caryl Churchill's "A Number," and Michael Bay's "The Island" | Hawaii International Conference on Arts and Humanities. | Honolulu, Hawaii (美國夏威夷檀香山) | 2007 | Sue-Han Ueng (翁素涵) | 英文 |
Queering Ethnicity: Cross-dressing in Taiwanese Folk Processional Performance. | The 2006 Association for Cultural Studies Crossroads Conference | Istanbul, Turkey(土耳其伊斯坦堡) | 2006 | Sue-Han Ueng (翁素涵) | 英文 |
基因科學,權力,和複製的主體認同:倪匡的「後備」、卡兒.邱吉爾的「一個號碼」、及麥可.貝的「絕地再生」。 | 第三十屆中華民國比較文學學會年會論文集 | 台北 台灣 | 2006 | Sue-Han Ueng (翁素涵) | 中文 |
Performance Tactics in Taiwanese Folk Ritual Processions—Interplay with the State (台灣民間迎神巡行的表演策略—與政治互動,發表於第十屆國際表演文化研究研討會--表演:政治:質疑)(英) | #10 Perform: State: Interrogate/Performance Studies International | 新加坡 | 2004 | Sue-Han Ueng (翁素涵) | 英文 |
The Road Toward 'Elite' and 'Modernization' for Traditional Theatre in Taiwan (第一屆東西文化中心學者及學生,亞太地區文化與傳播年度研討會,中國文化部分)(英) | First Annual (East West Center Participants Conference on Issues of Culture and Communication in the Asia/Pacific Region, Session on Chinese Culture | Honolulu, Hawaii (夏威夷檀香山) | 1991 | Sue-Han Ueng (翁素涵) | 英文 |
名稱 | 年份 | 作者 | 語言 |
「慾望這瘋狂小東西:田納西∙威廉的慾望街車」(This Crazy Little Thing Called Desire: Tennessee Williams’ A Street Car Named Desire), 國立交通大學專業演講及學術會議 | 2020/3 | Sue-Han Ueng (翁素涵) | 英文 |
翁素涵「電影濃情巧克力中糖尿病的意象」(The Image of Diabetes in the Movie “Chocolat”),財團法人中華民國糖尿病衛教學會2018年3月會訊 (Taiwanese Association of Diabetes Educators March 2018 Bulletin),25-27頁 (中文) | 2018/3 | Sue-Han Ueng (翁素涵) | 中文 |
Ueng, Sue-Han. Co-editor, The Proceedings of 2010 ESP International Conference ESP Curriculum and Pedagogy: Perspectives and Challenges. Ed. C. K.Liu and Sue-Han Ueng. Taipei: CRANE Publishing CO., LTD., November 2010. | 2010/1 | C. K. Liu, Sue-Han Ueng | 英文 |
NTPU, FLAL Teaching Colloquium (台北大學應用外語系教學討論會) "英語話劇演出應用於外語學系大一英文教學之初探”(“A Preliminary Study on the Application of English Drama Performance in Teaching Freshman English for English Majors”)。97年1月9日。 | 2008/1 | Sue-Han Ueng (翁素涵) | 中文 |
Encyclopedia of Contemporary Chinese Culture. Entries writer on gezaixi [Taiwanese opera], and Kejia Daxi [Hakkanese Opera] (英國 Routledge出版社當代中國文化百科全書,「歌仔戲」及「客家大戲」項作者)(英) | 2005 | Edward Davis 編; Sue-Han Ueng (翁素涵) Contributor(百科項目作者) | 英文 |
漫漫英雄路—看《英雄之死》(洪藝冰導)/新加坡聯合早報 (中) | 1995 | Sue-Han Ueng 翁素涵 | 中文 |